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Our work

A look at the stories and sets we have covered

Scenes from location shoots, studio recordings and edit suites, showing how a news job looks from the first frame to the final cut.

A look at the stories and sets we have covered

Recent work

These frames come from the kinds of jobs we take on: roadside reports, studio bulletins, live links and edit rooms. Each shows the equipment and settings our crews work in.

  • Roadside report at dusk
    Roadside report at dusk
  • Studio bulletin recording
    Studio bulletin recording
  • Handheld shooting in a crowd
    Handheld shooting in a crowd
  • Edit suite late shift
    Edit suite late shift
  • Live link from the coast
    Live link from the coast
  • Transmission kit set up
    Transmission kit set up
  • Interview in low light
    Interview in low light
  • Newsroom ingest desk
    Newsroom ingest desk
How we work

What sits behind each finished news package

A package that runs cleanly on air is the result of choices made long before the edit. These notes describe how we approach shooting, cutting and handing over material for broadcast.

On location

We arrive early where we can and look at light, sound and safe positions before the first shot. Operators choose between handheld and tripod depending on how the scene is moving. The reporter and camera work together so that interviews, cutaways and pieces to camera all serve the same line of the story. Every clip is noted as it is recorded. That habit costs seconds in the field and saves minutes in the edit, which matters most when a deadline is close.

In the edit

Our editors cut against the clock but not carelessly. They listen first, because poor audio ruins good pictures, and they build the sequence around what the reporter has confirmed. Graphics and captions follow your house style where you have one. Names, places and titles are checked against the notes before anything leaves the suite. If a correction comes in after delivery, we can turn it around as a revised file.

At handover

Finished files are named clearly and delivered in the format your gallery or publishing system expects. We send a short note listing what was shot, what was used and anything the next editor should know. Original material is kept for the period agreed with you, so a follow-up item can draw on it. Where useful, we suggest small changes to ingest and filing that help your team find material faster.

Our work in numbers

  • 2014 Founded

    curtainvoxa

  • 5 Service areas

    Breaking News Crews, Studio News Production, Rapid Video Editing, Live Link-Ups, Newsroom Workflow Consulting

  • 4 Team profiles

    Rachel Hollis, Daniel Pearce, Priya Nair, Tom Fletcher

Ask for a quote

Write to us: [email protected]

curtainvoxa

News video crews, edit suites and live link-ups for broadcasters and publishers, based in Exeter and working across the South West.

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